It’s a metaphor that gets used a lot, but I’m going to make an embarrassing confession about its application to novel writing: for the longest time, I didn’t get it.
See, I had approached writing a novel like so:
Think of an idea
Start writing chapter 1
Keep writing until you hit “the end”
Go back and revise a million times until it works
Was the underside of the iceberg just all the stuff I cut from each draft? I honestly didn’t give it too much thought. I know every writer crafts differently, so I figured this was one of those things that other writers did and maybe it didn’t apply to my process.
Or maybe, in hindsight, I didn’t have enough process yet. Read more
You can tell a lot about a person from the obvious pieces we’ve discussed in the last two posts: their features and their name. Even without knowing energy types we could probably identify apple cheeks as fun, puppy-dog eyes as sensitive, sharp chins as determined, and long faces as serious. Similarly, we make natural judgments about a name that are often true.
(One beta reader commented, after learning my artsy character Phil is short for Theophilus, “I was a little surprised that he goes by Phil as opposed to Theo. Theo sounds artistic, but Phil sounds kind of carefree/humorous which also seems to fit him.” Later, when she learned Wendy had been the one who insisted on calling him Phil, the reader said it made perfect sense.)
Today we get to dive deeper—into the invisible influence of astrology.
Next up, not surprisingly, your character needs a NAME.
Now, sure, you could just give him or her your favorite name, that one that was a little too wild to use on any actual children or say out loud all the time but you know would be just too cool in print. You could. Maybe. But I’d like to convince you that the best choice is a name that perfectly fits the character.
We do this with real children. In fact, if you’re currently trying to decide on a name for your upcoming bundle of joy, this info I’m about to share might be even more invaluable. I certainly wish I’d known, for example, that the letter Z signifies “aggression/conflict” before I gave a certain child of mine a name that starts with it—except that, of course, it is exactly the right name for that aggressive little kid. And luckily the other letters in his name have to do with thinking and wisdom. Fingers crossed he grows into those soon haha.
Believe it or not, characters can embody their names just as much—whether or not you understand the name in advance. For example, with my Peter Pan retelling, I chose to stick with the names Wendy and Peter, and it was amazing how much personality came with those names that I didn’t realize ahead of time. I “crafted” their characters years before learning anything about nomenology, and yet the names are dead on.
Last week I shared Pixar’s 22 Rules of Phenomenal Storytelling, and I’m going to be honest and say that when you’re at the very beginning of writing a story, it can be overwhelming looking at that list and knowing where to start. But as promised, I’m going to walk you through the process as I go through it myself, and these past two weeks I’ve started firmly with character, loving every discovery and where it’s leading.
Check out some of Pixar’s rules that have to do with character:
#6 What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#13 Give your characters opinions. Passive/malleable characters might seem likeable to you as you write, but it’s poison to the audience.
#15 If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
When I wrote my first novels, I had no idea how to figure those things out. I muddled through it in the dark, as if blindly trying to distinguish characters’ features by mauling them with my hands. It wasn’t until several (okay, six) drafts into my second novel that I hit on three secrets that have turned character development into a straight-forward science.
You can utilize these three secrets at any writing stage, whether you have no idea what your story will be or you’ve already completed six drafts. I’ve done it in both cases (as mentioned) and found these three steps invaluable either way. Read more
“I’m a writer” is a statement I avoided for a while. After all, it takes courage to admit you’re lacking the more validated “I’m an author” (read: published). It’s safer for our fragile egos to be closet writers, querying agents and editors in secret until we can make the grand social-media announcement that our book is coming out in actual print with actual binding and have everyone comment, “Oh! I had no idea you write!”
But at a certain point I said to hell with being a coward and laid it out there:
“Yes, I write. Because I have to. Whether or not any of it is ever published, I write novels because I love it. When I’m not writing daily, I feel grumpy and lost.”
However, there was a second distinction I bypassed longer: being a storyteller. Read more
I’m laughing to myself as I compose this post. It’s sort of like walking through a huge puddle of glue and hoping to get to the other side without (a) getting stuck in the puddle or (b) spreading the glue farther or (c) tripping on all the other people already glued in place, hahaha.
When we’re all so entrenched in something together, trying to describe it is like trying to lift your foot out of that puddle without the glue sticking to the bottom of your shoe. Yeah. I’m covered in it too.
See, I figure that’s what makes it a plague: It’s widespread; it’s infected all of us. Read more